Articles (selection)
- Live Electronics in Luciano Berio's Music, Computer Music Journal 27/2 (2003) (with F. Giomi, D. Meacci)
- Electroacoustic music in a multi-perspective architectural context. A sound installation for Renzo Piano’s Auditorium in Rome, Organised Sound 8/2 (2003) (with F. Giomi, D. Meacci)
- An SQL-based Control System for Live Electronics, International Computer Music Conference (Proceedings), Barcelona 2005 (with F. Canavese, F. Giomi, D. Meacci)
- Il continuo mutevole. Altra Voce di Luciano Berio, in: A. Cremaschi, F. Giomi (eds.), Il suono trasparente. Analisi di opere con live electronics, Lucca 2006 (with F. Giomi)
- Asymmetrical Envelope Shapes in Sound Spatialization, Sound and Music Computing Conference (Proceedings), Berlin 2008 (with F. Canavese, F. Giomi, D. Meacci)
- Ein Kontinuum der Verwandlungen: Luciano Berios Altra Voce [revised German translation of Il continuo mutevole], in: T. Hünermann, C. Blumröder (eds.), Topographien der Kompositionsgeschichte seit 1950 (= Signale aus Köln 16), Vienna 2011
- The revision of Henri Pousseur's Rimes at Tempo Reale, in: G. Toro Pérez, L. Bennett (eds.), The Performance Practice of Electroacoustic Music (= Zürcher Musikstudien 10), Bern 2018
- Ebenen der Wirklichkeit in TSI-SHIN-KUT, in: C. Maurer Zenck (ed.), Auf dem Weg zur musikalischen Symbiose. Die Komponistin Younghi Pagh-Paan, Mainz 2020
- Transparent and Black Boxes: Potentials of Notation in Live Electronic Music, in: G. Toro Pérez, L. Bennett, J. Hiekel (eds.), Performing Live Electronic Music, Hofheim 2024
Further information on some articles is available at ResearchGate.